Jul 13, 2017 - Discover how to create and format scripts with Final Draft 10. Join Oscar-nominated screenwriter Roger S.H. Schulman as he shows how to.
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Is a Hollywood scriptwriter, TV development exec., author, internationally syndicated humor columnist and guest lecturer. She recently founded, a nature-based writers retreat and creative space for story classes and script consultations, which blends her years of story coaching experience with her previous job as an adventure tour guide in the Australian Outback. Join her in breaking story around the campfire. Scrawl outside the sprawl.,,, Twitter: I had just arrived in Los Angeles.
Not to live but to examine – examine whether I had the courage to try out this town, this industry. I knew I wanted to write television, but I didn’t know exactly what that meant. After graduating from a college that didn’t offer a film major, I took a job in Philadelphia writing obscene bumper stickers. The evenings were spent formatting Word docs into TV spec scripts.
Rather serendipitously, the weekend I arrived in Los Angeles – specs for Gilmore Girls, My Name Is Earl, Joey, and What I Like About You shoved in my backpack – the Screenwriters Expo was at the Los Angeles Convention Center. It felt destined.
I called my parents and begged for a loan. At the Expo, I listened to panels, spoke to writers and eventually found myself in front of the booth for.
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Chromas free download. I had never heard of the software and knew nothing about it other than it was out of my price range. I showed the Final Draft booth employee my TV specs written on Word, meticulously formatted with the utmost care. “Sure, you can probably tell I formatted in Word, but who cares, right? As long as it follows the same basic formatting.” The worker put a thick Final Draft 7 box in my hand. “Everyone cares. If you don’t take yourself seriously as a writer, no one else will, either.” I handed him my just-in-case-of-emergencies credit card and never looked back.
That has always been the magic of Final Draft. It is now and will forever be the screenwriting software brand associated with taking yourself seriously as a writer. Final Draft owns that emotional tug. It’s been over a decade since I got my first Final Draft, and I’m happy to say that the software has grown with me. Final Draft 10 is a mature software for a mature writer.
Without losing any of the simple and intuitive formatting techniques that easily engage novice screenwriters, Final Draft 10’s new features cater to experienced scribes. A few of the previous versions seemed to have come out before they were able to fully accomplish what they set out to do.
As a consumer, I didn’t always feel I was getting enough bang for my buck. Final Draft 10 feels different. It has considered writers’ needs and enhanced the writing experience at every stage of the process. OUTLINING: The Beat Board and Story Map are the two hot new (trademarked) features of FD10. It’s a little odd for me to describe them as two separate features; they are so intertwined with each other that it’s a little hard to determine where one feature ends and the other begins. The Beat Board is awesome and should be loathed, despised and used for target practice by any company that sells outlining software.
Basically, if Contour and Save the Cat screenwriting software gave birth to a corkboard and then that corkboard ate a box of crayons before going into surgery to have a digital-change operation, you would have Final Draft 10’s new Beat Board. It’s perfect for newbies trying to get their thoughts in order, but it also has the capacity to facilitate professional scribes, who have specific page count guidelines to abide by because they, ya know, are actually getting paid to write.